My work on "Benjamin Button" focused primarily on the Paris sequence, where Daisy suffers her career-ending tragedy by being hit by dancing into an oncoming taxi.

In addition to combining A-B plates for the car's impact with Daisy, I enhanced a number of shots with matte paintings of dirty streets, period buildings, a re-positioned Eiffel Tower, and art-directed skies.

Also, I comped a few establishing shots of Murmansk, and did some clean-up work for Benjamin as a baby, removing a somewhat unconvincing mechanical infant from a blanket in Queenie's arms.

All work was done in Inferno and Flame.